Nanowrimojustsayno

November 6, 2009 by donaldconrad

Call me a nanowrimo rebel; this being nanowrimo month. To me, nanowrimo sounds a lot like the mooo of the herd. Has anyone published one of these novels written during nanowrimo month? It sounds like the type of thing feeding the self-publishing wave. I much prefer my reading well edited. I have several self published books in my collection and most are crap. One author has no idea the difference between then and than. It’s enough to drive a reader toward serial throttling.

Quite a picture. Really.

There are already a few stories posted on my other blog, http://flashtold.wordpress.com  I like the short story gig. A lot of what I’ve written falls into the flash fiction realm of a thousand words or less. It is immediate gratification for a writer; like handing a glass of Everclear to a beer drinker.

I haven’t made the rounds of all the blogs associated with #fridayflash, a twitter group that posts flash fiction on Friday. There are over sixty of them. That’s a lot of reading and my “to be read” shelf on Goodreads—representative of the one I have at home—isn’t getting any smaller.

Because #fridayflash is a Twitter group, I had to finally start a Twitter account to participate. It seems that everyone who is anyone has a Twitter account. Some have more than one; imagine that? My Twitter name is my pseudonym without the space — NoddlaNocdar. Has a sort of third world sound to it, doesn’t it? Noddla is my first name cut in half and each half reversed. Same goes for Nocdar. Nothing mystical in that wordplay. I’ve been Nocdar since AOL 2.0.

I have an idea for another novel. It’s in a slow aging process in the deeper reaches of my cranial wadding. Right now it feels like a psychological thriller seasoned with allegorical horror. I suppose I could play around with it some now, but I’m still having fun with the flash stuff.

Check in at FlashTold—the link is in the column to the right—and have a look. It will be in a constant state of evolution for the foreseeable future. There are links to other flash fiction blogs, a few of my published pieces, as well as other noteworthy sites. And leave comments where applicable. Feedback is the price I ask of my readers; honesty being the currency of choice.

Fare thee well, fellow reader.

 

I’m Late

October 8, 2009 by donaldconrad

First off, I’m late.
Really late.
Sorry.
I did finish my manuscript for the submission call that Leisure Books put out. They called it Fresh Blood. Details can be found at http://www.chizine.com/fresh-blood-rules.htm
They’ll boil it down to a few finalists and those writers will be notified in November. I’d be flattered if I made it that far.
I started writing for this one back in April of this year; and for the first three months I had two false starts. One had a working title of Shadow Glass and the other had a working title of Insurance Scam Girls (not much of a title, but I’m sure something better would have occurred to me during the telling). Each of those stories had brick walls in them and I couldn’t find a door. In hindsight, those two stories were a working metaphor for my own life. I had a four month stint of unemployment during which every printing company was laying off or closing. It was a frightening time.
The story I finally went with had a working title of Sinkholes and I got the idea while sitting on my back deck one day. I have a sinkhole smack dab in my own backyard. It is about ten feet across and semi-circular in shape. My lawn mower just balds the peak this year so I may have to do something about it soon.
But while I sat there marveling at it; wondering what could be below, the germ of a story took. The story itself I could only see in periphery. When I tried to look at it head on, it would get all fuzzy.
I ran with it.
By this time I only had three months to make it happen; make the deadline for Leisure Books Fresh Blood call for submissions. The closer I got to September thirtieth, the more I back-burnered every thing else in my life. My wife showed immense amounts of patience. I owe her in spades.
As much as I felt lucky that Sinkholes was coming along, I was also lucky in that my former employer called me back and I now work for them again. It’s all god good.
Near the end of the telling, Sinkholes seemed like a poor title. So I changed it to Return of the Aniwaya. In some of my research, I found that aniwaya meant wolf clan and it fit. It is, after all, a werewolf story. And the way I told it, there is certainly room for a sequel or even several. Return of the Aniwaya reads like a prequel to something bigger. I’ve been writing little notes about the story as they occur to me now that it is done. Which I suppose means that it isn’t done. By the first of the year, I’ll either be in rewrite for Leisure Books, or for myself; the latter requiring an agent.
I think for now, I need some short story action again. I have a friend that started a flash fiction group on Facebook. It’s called FridayFlash and the link is http://www.facebook.com/group.php?gid=119442390567 . I’ll try my hand at that again. I’ve been a member right from the start, yet I haven’t participated. I have a burgeoning file of unfinished drival to weed through. Perhaps I could fix and use some of it. Perhaps.

There is More of Me to Read

August 6, 2009 by donaldconrad

          My first day back to work was July thirteenth; that’s Monday the thirteenth, a day which I think has no significant effect on luck. They called me back during the hottest part of the year to run the same heatset web press I had fixed at the beginning of this year. Right from the git go they wanted more than forty hours. So I’m working ten hours a day, five days a week. I had a four month vacation prior to that, shedding my work ethic like a snake sheds its skin. The first week was a little rough around the edges, a nagging little voice saying stuff like “you’ve done it now boy, messed up a good thing by going back with the likes of them.” Will it last this time? Only time will tell. 

          My mother’s second husband, Al Lake, passed away on July twenty-second. He was seventy-nine. Al was a fixture in the graphic arts supply business for years. He represented Roberts and Porters line of products for most of his career, riding the wave of change inherent in the industry and finishing with a satellite office for H.A. Metzger. Even though he had effectively retired years ago, when word got out that he had passed away and I had a connection to him, friends and acquaintances came out of the woodwork to express their condolences. I was surprised how many people knew the man even though in hindsight I shouldn’t be. He wasn’t a braggart. He was a memorable, fun-loving guy who will be missed by many. If you’re so inclined, you can read his obit at Alfred P. Lake’s Obit . His name is listed with others there for now. They keep an archive in which you can search by name, month and date. 

          Big Pulp picked up a short bit I wrote and workshopped in the Writer’s Digest forums a few years back. Yeah, so I’m a little slow at the “marketing myself” thing. Hey, it’s out there now. The story is called Splatter Art, probably the grossest thing I’ve written if you’re a very visual sort of reader. Go check it out and leave a comment if that is possible. Feedback is always appreciated, be it good, bad, or indifferent.

          The Flash Fiction 40 Anthology has been up for a month now. It contains forty flash fiction pieces from members of Maria Schneider’s Editor Unleashed forums. All the stories are a thousand words or less and they represent the top forty stories from a selection of nearly three hundred. It is a free read in a multitude of formats. My story, The Distraction, shows up there. It’s about a couple who is lost while on vacation and discovers a quiet beach to relax at. What happens when the tide comes in turns this one into a story about “every man for himself”. 

          I’m thirty-five thousand words into Sinkholes, a novel I’m writing. It feels good to tell a longer story and it is certainly quite different from the flash fiction and short stories I’ve been playing with for the last couple of years. This one is due. It is first person and has a main character with prescient-touch, historic caverns, local indians, ghosts, Vietnam veterans, fire balls, local politics, and about a ship-load of werewolves. Oh come on, don’t roll your eyes yet. It’s evolving into quite a tale. You’ll see… maybe. And even if it doesn’t make it into book format, I’ll be that much richer for the experience of writing it. And I am back to printing books again. Until next post…

I win! I won! I’m writing more

July 5, 2009 by donaldconrad

June was a busy month, huh?

Some real entertainment icons did their final curtain call in June; Ed McMahon on the twenty-third, Farah Fawcett on the twenty-fifth, Michael Jackson also on the twenty-fifth, and then Billy Mays on the twenty-eighth. The world will be a little different without them; it was great while it lasted. If you want to read up on these people, a good place to start is Wikipedia. 

I started writing a novel a few months ago and bailed on it after something like twenty-thousand words. The idea for it was just too much for me right now; I needed to put it away and come back to it. So much for Shadowglass, which was going to be a fantasy/horror/coming of age type of story. 

So then I started another story which might have gotten to novel size, but felt more like a novella. And I backed out of that one too. Strike two on Life Insurance. I changed the POV, like, four times. It just felt like I was trying to force it out of my head and I’m at my worst when that happens. That second novel would have been about an older woman with issues who enters a slow spiral into her own psychological depths. I think everyone would have died in that one. We’ll see…

I’ll get back to those two because they are stories that must be told. Well, at least I think so.

This month I actually got about twenty thousand words into another story that’s starting to get some traction. I’ve tentatively titled it Sinkholes because I needed a file name, but it’ll probably see the light of day under another name. I have a goal of thirty thousand words for July on this one and if I can keep that pace I’ll be at my best as far as output.

I won! I won! I took a short break from Sinkholes to write a short story that turned out to be a perfect fit for the contest presented by Editor Unleashed and Smashwords. They called the contest Flash Fiction 40 and they were looking for stuff under a thousand words. Forty winners will be anthologized (that’s a word, right?) in a collection to be assembled by Smashwords. My story, The Distraction, came in at 975 words and was chosen as one to be included in the anthology. Pretty cool, right? I’m happy.

But the big news there is the number one story called Fairy Tales. It is an eerie sort of story that says more than the words actually spell out. It’s a real memorable piece with as much depth as one can eek out of a thousand words. The author of that one took the grand prize of $500. The other thirty-nine will receive $25 and be presented in the ebook. This is quite an anthology and I believe it’ll be presented as a free product (I better be right about that or there’ll be a lynching). Keep looking for the anthology at https://www.smashwords.com/ and while your there check out John Rector’s novel The Grove at   https://www.smashwords.com/books/view/2734 . I had read The Grove when it was released on Amazon.com as a Kindle novel, so I was surprised to see it at Smashwords as well. I reviewed it on Amazon and on Goodreads.com as a real good five star story. You can read my review of The Grove at http://www.goodreads.com/review/show/57613624 . It was on Amazon for a buck and on Smashwords for “name your price”. This is John Rector’s breakout novel with another on the way soon. He’s using The Grove to get his name out there so people will be looking for more of his stuff. Works for me.

I have a couple of really cool stories out there that I haven’t heard back about yet. Regarding Persistence comes in at nearly 6000 words and I think that one is more marketable. But I have another, Post Traumatic Dress, which twists and turns and leaves you wondering what the hell happened because I lead the reader in one direction for a lot of it and then shoot the story off to a hard left to make everything that went before just some delusional-psychological coping mechanism (wow, long sentence alert). The real story comes out in the last couple of hundred words but you need the rest to get it. Even though I love the way that one turned out, it’s the kind of story that needs the reader’s attention; something that cannot be expected when it’s being peeled off a slush pile (unless it is the first read of the day).

I started my last post by stating up front that I had lost my job again. So an update is in order. The company that laid me off (with, like, thirty or forty others) had called to talk before the July fourth weekend. I’ll get another call after the weekend once management has a chance to get on the same page. Things seem to be picking up again in the wonderful world of printing, which is a good sign for the economy. I also have another iron in the fire that’s taking on a nice fiery red color and that’s all I’ll say on that bit for now. The one constant in my life lately is change and it’s keeping me bouncing on the balls of my feet like a boxer at the start of round two. Gotta keep moving, gotta keep looking around. Being one of the ten percent not working in this country gives an aura of being in the breakdown lane; but some days I feel exhilarated, breaking the limit in the high speed lane on a pair of Wile E. Coyote’s Acme Rocket Powered Rollerblades. And with that picture firmly planted in your head, I bid adieu till next post.

Unemployed but still writing.

June 4, 2009 by donaldconrad

     I lost my job again. There, I said it.

 

     The printing industry is going through another contraction and I am a casualty. At the beginning of last year, I was employed with a family-owned printing company that closed their doors for the last time in June of 2008. It was a sad moment. At the same time, another company contacted me asking if I would be interested in working for them. I was both flattered (that they would call me) and relieved (that I could become employed so quickly). Fast forward nine months to a company-wide layoff; last in — first out. This last printing company actually provided me with a severance package; even after only working with them for nine months. The scary part is that every printing company in the area has either closed, or held extensive layoffs. The music has stopped and there are a few less chairs.

     I still write. I’ve written (and rewritten) a new resume. Go ahead and laugh. If you’re reading this and looking for a top shelf pressman, contact me. Really. Do it now.

     I had a flash piece I called Hitman published by Flash Shots. It was my first publishing deal; sixty-something words which I gave away for the love of it. Flash Shots only keeps a ten day archive, so you can’t read my story there anymore. I recommend subscribing to them either at http://dailyflashshot.blogspot.com or at http://www.gwthomas.org/flashshotindex.htm because they’ll send you a story of a hundred words or less to your email account every day. Some of them are quite good. And if you would like to read Hitman, let me know and I’ll (ahem) dig it up.

     Another piece I called Snick was published by Ruthless Peoples Magazine. I was in their first issue and they actually paid me in American dollars via Paypal. They have since published several issues and I believe you can access previous issues that have been archived. They are an Ezine and can be found at http://www.ruthlesspeoples.com Select “Download Now” on their header and that will bring you to the archive where you can select an issue (such as issue number one) to download for your viewing pleasure.

     So I’ve done the gratis thing. And I’ve done the Ezine thing. Actually, I have another bit I called Splatter Art that was picked up by Big Pulp. http://www.bigpulp.com/  They are another Ezine, and they tell me that my story will show up this August (2009).

     What I want now is to show up on paper. I have a few stories out there, buried in slush piles. I’ve used early pieces to get a feel for how things work and I’ll tell you, things are  s l o w  going.

     There are two contests out there I’d like to bring to your attention. Maria Schneider has a website where she blogs, among other things. http://editorunleashed.com  I’ll admit up front that I’ve lurked there on occasion; interesting stuff there. She also has a writing forum where you can talk to like-minded individuals and do some critiquing, which is a great way to learn about your own writing. Maria’s forum is currently running a contest for flash fiction with a deadline of June 14th. The link is here:  http://editorunleashed.com/contest/

     The other contest I’d like to mention is being run by Leisure Books and Rue Morgue Magazine and they call it Fresh Blood. They are looking for 80-90,000 words by September 30, 2009, and the winner gets a book deal. Check it out at http://www.chizine.com/fresh-blood-rules.htm

     I hereby pledge to blog more often. How does the fifth of each month sound? Okay, the fifth it is.

Embracing Rejection

March 7, 2009 by donaldconrad

     Why did they reject me? Rejection is hard to take. One really never knows why submitted writing is rejected by slushies (slush pile readers) and editors. But there are ways to increase your success rate beyond simply writing a good story.

     Usually, at the best of times, a rejection comes in the form of:

 

(enter your name here).

 

Thank you for submitting “Your Drivel” to us. We are going to respectfully pass on this piece at this time.

 

Best of luck with it,

(Whoever at Whatever Magazine)

 

     That is as personal as it gets, usually. Most of the time you get a copy-and-paste form rejection that can really deflate your ego if you let it.

     Trying to imagine what it is like at the other end of things helps a bit. Imagine getting anywhere from two hundred fifty to six hundred submissions a month. It can be overwhelming. Add to that the fact that a lot of the submissions are from writers who think using fonts like chiller actually enhance their purple prose. There are standard submission guidelines out there. Google them – use them, unless they (where you plan to submit) have their own guidelines. Then, of course, you want to use theirs. The customer is always right and in this case, the editor is the customer.

     I’ve found that I get more personable rejections now that I include a short bio. It’s a chance to break the ice, show that you actually have a personality and you might be fun to interact with. The one I’ve been using lately looks like this:

    Donald Conrad is married and lives in Plymouth, Massachusetts. He and his wife have three Shih Tzu because they don’t talk back–so far. Donald gets his story ideas hurled at him daily just by living life. He finds that he must write constantly just to keep up. Most of his writing tends toward normal life gone awry, like a pen that slips and draws a little blood. Not much, just enough to know today will be different.

    His stories will show up in the March 2009 edition of Ruthless Peoples Magazine and in Big Pulp during the summer of 2009.

 

     It might be too long, and should be rewritten. But it does what it’s supposed to. It sets me apart. Notice that it also allows me to toot my own horn. Those are real credits that the editor might be distracted enough to go read. Which leads me to wonder; should I perhaps add a link?

     The other thing I’ve found that helps is to include a synopsis. If it’s cleverly written, your story might not need an attention-getting first line. For my story, Snick, I wrote this synopsis:

    This story, Snick, comes in at a little under 700 words. Tile puzzles always seemed to be a part of my childhood, they were constantly around. In Snick, the tile puzzle is imagined on a much larger scale. Read on, you’ll see what I mean.

 

     Which leads me to my last point: the first line of your story should be interesting. And the first paragraph should be intriguing enough that the reader wants to continue. If I were a slushie, I know that after reading a hefty dose of blah-blah-blah, it would all look like blah-blah-blah. Sure, there is a certain amount of luck in not following behind someone who writes in text-message shorthand. But you can’t control that. Your story is only one in a mountainous pile; a mined gem that should be polished enough that it catches the reader’s eye.

     One of my favorite first lines starts Stephen King’s Dark Tower series. It goes like this: “The man in black fled across the desert, and the gunslinger followed.” Placing ‘the man in black’ in juxtaposition with ‘the gunslinger’ out in the desert is certainly intriguing.

     Another recently great first line is in Neil Gaiman’s The Graveyard Book, and goes like this: “There was a hand in the darkness, and it held a knife.” A good first line is a thing of beauty, isn’t it?

     Have a good start to your story, submit with a short bio and some credits, and use a synopsis to warm the reader to your story and your world. It’s all part of the sales pitch the writer uses to sell the product.

Bon Voyage to Playlist.com

January 8, 2009 by donaldconrad

 

 

 

 

 

     In mid-December (of all times – bah humbug and all that) MySpace had announced that they would stop embedded Playlist.com playlists from playing on MySpace. It left a huge hole on my MySpace and ruined the Christmas theme I had going there.

     Morons.

     I recognize the stand MySpace took (supplicant fools), not the timing. I admit readily that at one time I had a Napster account and later, a Kazaa account. Call me a radical front-liner, I’ll take it as a compliment. I discovered new stuff with those accounts, in particular, audiobooks. It’s too bad these sites aren’t the same as they once were; in spite of them I still listen to audiobooks.

     I think I understand how Playlist works. Correct me if I’m wrong. You sign up for free. You use their search engine to find music you like and assemble a list. The list itself is merely a list of links. That’s it; just links. You cannot download the music. You cannot send the music to someone else. Playlist does not store the music on their site. You do not store the music on your site or hard drive. Playlist.com is just a search engine and a list of links. If you could assemble you last hundred Google searches into a playlist, it would look a lot like what Playlist has done. It seems that if there were a problem here, it would be with the individual sites that actually have the music stored. Playlist.com accesses those individual sites, so they have become the target instead. Shame on Playlist for their search engine technology; someone please buy them for the sake of validation / vindication.

     Two music groups stand out in my mind when I think of those Napster/Kazaa days. On the negative side of things was the rock group known as Metallica. What a whiney bunch of has-beens. They were focused entirely on how much people were ripping them off. They wanted money, the whole focus was on gimme, gimme, gimme. I’ll never mention that group in a positive light; their all-or-nothing attitude left me wanting to provide them the latter.

     The Dave Matthews Band on the other hand thought the whole online music movement was very cool. Their glass was half full. Free exposure. What more could one ask for. They were selling albums and getting free exposure. How cool is that? I saw them at Fenway Park in 2006. That band can jam. And you know? I just Googled them at Fenway (for the year; sorry: brain-cramp) and discovered they recorded it. So after this blog post, I’m going to buy the album as a memento from Amazon. They got me twice (concert and album) and all it took was a little ‘honey’ in the form of a thumbs-up and a smile. Dave’s cool.

     Napster and Kazaa are gone from my life now but the memories of each remain. The negativity of tendon-necked and teeth baring Metallica versus the thumbs-up live shows of Dave Matthews will stay with me. Forever.

     As for Playlist.com: well, bon voyage. This lack of association may kill them and it’s really too bad. It was nice while it lasted…  I’m working in another realm now; another way of getting music.

     Catch me if you can.

Thanksgiving Day at Plimoth Plantation

November 29, 2008 by donaldconrad

 

          How many places are there around you that you might travel to see, but choose not to because, well, it’s right there and ‘we can see that anytime’? The experience is kept as a hip pocket deal, never to be used, seen or done. That is how we were about the sights and experiences of Plymouth and Plimoth, the new and the old.

          To set things right, I coaxed my wife into a trip to Plimoth Plantation this summer past. It is close enough to be considered walking distance for us, yet people from around the world come to visit. Nearly every school age child within, say, forty miles of Plimoth Plantation experiences a field trip to it. I went when I was in elementary school. But when I went as a child, it was smaller and had little to do with the Wampanoag people.

***

          Plimoth Plantation was bustling with activity when we arrived on Thanksgiving Day. It had to be the busiest day of their year. We got lucky and found a parking spot right across from the huge timber staircase leading to the main building. I saw license plates from virtually every state in New England, Virginia, and Ontario. There were outdoor pavilions set up all around the main building. They served varying degrees of Thanksgiving Day fare, the smell of mulled cider was strong in the air. Our tickets included all the regular attractions, but we had visited during the summer when it was warmer.

          Our reservations for the Victorian Dinner were made in June for a two-thirty seating and we arrived a half hour early so we wouldn’t have to rush or be seated late. The early arrival turned out to be a good call. The overcast sky showed the age of the year, but it remained a warm fifty degree day and I opted for a fall jacket over a nice shirt and slacks. My wife wore a pants suit. The attire at the Victorian Thanksgiving Dinner was, for the most part, a well dressed affair; though the people milling about around the grounds were dressed as variously as you’d find at any mall.

          There was an information table just inside the doors of the main building where we were informed that people would be seated shortly, and given directions – take a right, go to the end and bear to the left and it’s right there. A line had formed for the dining room that ended right at the entrance to the gift shop which helped add to the confusion of the hallway. Two ladies in wheel chairs sat contentedly conversing about the day, down in their own waist-high world. Children hurried about full of the exuberance of youth. There were some who were lost and parties involved in the search, and sometimes one could match them up.

          And the line started moving.

          At the bend in the hall was a makeshift bar serving all manner of alcoholic fare; wine bottles of local vintage were placed prominently. Between that and the French doors of the dining hall, another table held a cornucopia of fruits and nuts. A hostess podium skirted the French doors where my name was checked off and my assigned table was announced. Hurriedly, my eyes scanned the room and the table numbers, but I didn’t see ours right away.

          We were escorted to table fourteen; a table by the windows at the far corner. Our seats faced the room which made them excellent seats for sure, but facing the other way would have given us a view of the pond below and the ocean farther out. It was a no-lose situation. Once seated, the chairs are a sort of time machine.

          The year was 1863; the year a day of Thanksgiving was first officially set aside as a national holiday. President Lincoln set the holiday for the last Thursday of November as a way of celebrating Union successes. Before that, a day of thanksgiving was observed irregularly, and had actually fallen out of favor in most areas of the country.

          The reserved couple seated across from us hailed from Dennis, on Cape Cod. At the end of the table was a man claiming to be from Texas (pronounced Tex-ass) who was gregarious and extremely vocal. Once dialed down with a polite amount of good ole New England disregard, the Texan from Fairhaven, Connecticut whose ‘wife’ bore no rings (hint, hint, nudge, nudge) didn’t detract from the atmosphere.

          The table was well set for a fine meal. We drank cider from goblets and started by passing about plates of celery and carrot sticks, grapes, cheese, and bread sticks; and baskets of rolls and pumpkin bread with a strong hint of molasses.

          At various points around the room, in keeping with the year 1863, were men in top hats and high collars, women in hoop skirts and lace gloves, and even a few Union soldiers who talked about those ‘damned persistent Southerners’. They stayed in character throughout. Once everyone was seated and situated, a well dressed man in top hat and tails, announced himself as a Hoxie of the New England Hoxie’s and proceeded to say grace.

          Once thanks were given for the bounty of the season, and for Union successes, we were served a split pea soup that carried a peppery aftertaste.

          Soon glasses were being tapped with silverware at the insistence of one of the hosts who presented something of a toast; most of which included an ode to the venerable pumpkin pie. A resounding ‘Hear, hear’ from all points of the room could be heard as we finished the toast.

          In the interim of dishes being cleared, the room joined in a song called We Gather Together. The words of which were printed on the back of a leaflet left at each place setting. It was heartwarming to hear the measure of sincerity I heard during that song. It is a damn fine thing to be a citizen of these United States.

          The main course was then carried out to the tables which included roast native turkey with a large boat of gravy, traditional bread stuffing, mashed potatoes, butternut squash, steamed and cubed turnip, Harvard beets, creamed onions, and cranberry relish. Everything arrived at the table piping hot and was as delicious as anything I’ve had that was made at home.

          A Union soldier came by the table and asked where everyone was from. I told him I lived right up the street. Then I mentioned that the man seated next to me hailed from Texas. The Union soldier said, “Really?” and turned to him. I could see another boastful Texas tirade coming as he inhaled and considered how to start. In keeping with the year 1863 I seized the opportunity by interjecting with, “Yes, he’s a southerner and he’s wearing shoes.” That got a good smirk from the soldier and he let it pass, seeing the Texan’s chest deflate some. I could almost hear the rest of the table breathe a sigh of relief.

          Our table passed the platters of food around twice. During the meal, a group of singers in period attire sang songs as varied as The Battle Hymn of the Republic and, once they learned the man next to me hailed from Texas, they sang Skip to my Lou. The end of that song goes like this:

Off to Texas,

Two by two,

Off to Texas,

Two by two,

Off to Texas,

Two by two,

Skip to my Lou, the darlin’.

 

Yes, those were simpler times. The singers were very entertaining harmonizers and at several points were joined by the room to great effect.

          At a point before dessert, a Union soldier gained the attentions of all by announcing he had a proclamation from the President. He then loudly read the proclamation written by then Secretary of State, William H. Seward and signed by President Lincoln. It was the beginning of our nation observing Thanksgiving Day on a single day, that day being the last Thursday of November as a national holiday.

          Desserts included Indian Pudding about which the Union soldier standing next to me said, “It’s good. You can barely taste the Indian.” Other desserts included pumpkin pie and apple pie. Now apple pie is something that many things are as American as, so I wasn’t inspired by that selection. My wife makes the best pumpkin pie this side of the Mississippi, and I didn’t think I’d find any competition for that title on Plimoth Plantation. I was, on the other hand, intrigued by the Indian Pudding. I’m not sure if I’ve ever had the likes of it. It turns out that it is made of corn meal and egg and hasn’t a bit of Indian in it. I thought it was very good for what it was made of and imagine it was probably the most authentic thing available there.

          During dessert, a gal in a hoop skirt came by and introduced herself as a member of the Spooner family. She told us that her father operated the Cordage factory in town. He learned his craft down south and came to Plymouth to start his own business, hiring paid labor instead of using slaves and shipping the hemp in from Russia. Nowadays, Cordage Park is a historic location that has been partitioned off for various businesses. My primary care physician has an office there.

          We decided to leave after a cup of coffee because we had some stops to make and time was moving on. We had been there for two and a half hours and enjoyed it as though it were only an hour.

          My only regret is that we did not bring a camera. I would recommend this experience to everyone who is in the area, but you must plan ahead. Tickets go on sale in June and sell out quickly. And the Victorian Dinner is definitely the way to go. It is an experience that is truly unique.